LOS ANGELES —
With this Sunday’s Grammy ceremony to be his last after 40 years of manufacturing it, Ken Ehrlich could presumably well per chance additionally fair be excused for growing about a moments in the expose to mediate about aid on his maintain legacy, which incorporates growing indelible moments that will dwell in the pop aware eternally: Aretha Franklin singing “Nessun dorma,” Beyoncé shaking and shimmying alongside Prince, and Eminem and Elton John performing collectively.
However that’s not how Ehrlich wanted to bow out, with the major level of curiosity on himself. So, all over all over again, he’s growing what he hopes will likely be a magical moment with an amalgam of performers: John Account, Cyndi Lauper, Camila Cabello, Joshua Bell, Gary Clark Jr., Lang Lang, Overall, Jack Antonoff and the Current Orleans band Battle and Treaty, singing the primary song from the 1980 movie “Fame”: “I Sigh The Body Electric.”
“Or not it’s miles the usual of per chance one in every of the correct pieces of movie tune that I’ve ever considered,” says Ehrlich of the song, which turned into as soon as in the initiating sung by the movie’s stars, including Grammy winner Irene Cara.
The efficiency, which is able to additionally consist of a dance by Misty Copeland, will likely be among the many last of the night as Ehrlich says his goodbye.
“Or not it’s extra or less been spherical in my head over the years, but it absolutely truly did not come into play till I began severe about what I did are looking out for to attain this year,” he urged The Associated Press in an interview last week. “It turned into as soon as gorgeous ghastly to me that, you realize, somewhat than to save collectively a montage of gargantuan Grammy moments, which everybody has considered now a system of times … that this turned into as soon as a new intention of doing something that in actuality represented what I’ve tried to attain with the Grammys. And it be per what the mission of the academy is in regards to tune training and tune of the colleges.”
The efficiency will additionally feature local pupil musicians, singers and dancers, including these from Debbie Allen’s Dance Academy. Ehrlich and Allen both worked on the TV expose version of “Fame.” Allen is additionally choreographing the quantity.
“This song is per the total lot I’ve tried to attain on a expose for 40 years, blending genres, blending generations, showing that, you realize, the cliche is tune is the fashioned language, but the execution is you realize, we all dwell collectively in this world the save tune makes us chortle, it makes us cry and the total rest of it,” he acknowledged.
Ehrlich says the performers he picked picture a inappropriate piece of genres, but additionally generations, and shows the extra or less diversity he has strived for over the years.
“I mediate she (Camila) represents the latest know-how. Cyndi Lauper, we dash aid to the ‘80s. … She’s a ideal artist,” he acknowledged. “John Account. I don’t mean to demean him by saying this, but man, is he Mr. Reliable … I adore what he could presumably well attain. I adore that shriek.”
Ehrlich is acknowledged for mixing disparate artists collectively to develop Grammy moments: The John-Eminem moment in 2001 came because the rapper turned into as soon as below fierce criticism for homophobic statements in his tune.
He paired classical pianist Lang Lang with Metallica, Stevie Wonder with Daft Punk and Pharrell and endless other collaborations that made for watercooler moments — and now viral moments — for days in a while.
“Ken Ehrlich’s musical info, imaginative and prescient and passion has mirrored the legendary work of the enduring artists he’s created timeless moments with on the Grammys stage over the years,” acknowledged Harvey Mason Jr., the Recording Academy’s chair of the board of trustees and length in-between president/CEO, in an announcement. “As we capability his farewell Grammys production, we salute his contributions to our tune neighborhood and world pop tradition, and eagerly wait for what is definite to be a outstanding last hurrah.”
Ehrlich, who has produced the Emmys as nicely as a mess of other specials and performances, including White Dwelling performances at some level of Barack Obama’s presidency, is acknowledged for packing the expose with A-checklist performers year after year. His name came up in this week’s Grammy lawsuit drama, as Deborah Dugan, the Recording Academy’s ousted president and CEO, claimed that nominations were infrequently manipulated in accordance with whom Ehrlich wanted to maintain on the expose.
Ehrlich did not solution a message trying to earn a response to Dugan’s allegations. However in his interview with the AP, he talked about being rebuffed by one huge name for his swan song efficiency: Ed Sheeran, who turned into as soon as nominated for correct one Grammy, greatest pop vocal album for his “No. 6 Collaborations Tasks,” no matter a chart-topping year.
“I wished Ed to attain this. I correct truly wanted him. However, you realize, this turned into as soon as not a year when the Grammys shone brightly on Ed and he declined,” Ehrlich acknowledged. “I adore him and I wish he would maintain come and executed this.”
As he closes out his Grammy tenure, Ehrlich has been requested about a few of the expose’s most famed moments, such as Franklin stepping in with miniature behold for an in miserable health Luciano Pavarotti to express “Nessun dorma” flawlessly, or the times Beyoncé performed with icons Prince in 2004 and Tina Turner four years later.
Ehrlich is responsive to the affect the expose has had, not entirely on the careers of these who had been fragment of these moments, but additionally on other shows, which maintain copied his capability. He remains irked that the expose has never gained an Emmy, but he’s happy with the mark he’s made, and the legacy he is leaving in the aid of.
And while he is aware of the following producer will maintain their very maintain imaginative and prescient, he’s hopeful that the emphasis on efficiency will dwell.
“There could be a gargantuan inappropriate piece of our viewers that tunes into the expose on epic of they mediate they’re going to mediate about something they haven’t considered in other locations. And that’s what that’s what I’m hoping continues,” he acknowledged. “There are not a system of surprises left in lifestyles. … And I’d take to narrate to mediate that our expose, now and again anyway, does our greatest to shock the of us that are sitting at dwelling gazing.”
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